3D Surface Scanning

Our large format flatbed scanner is able to capture the textures of objects with 3D surfaces. Unlike photographs and film, where we require even illumination from our scanners,…

Stormzy in the NPG

Here’s Stormzy on our bench for colour quality checks before delivery to the National Portrait Gallery. Photographer: Mark Mattock with Art Direction from Hales Curtis.

Peter Saville & Anna Blessmann Book Launch

Martin enjoying the free refreshments at the Paul Stolper Gallery while admiring his own print work.

On The Line

Alan McFetridge paid us a visit today to show us his latest book On The Line. We’d helped Alan through the process of converting his images from RGB…

Analysing printed material

We offer a full reprographic service and have the tools to measure and reproduce colours from historic print jobs. This picture shows an i1Pro2 and the ArgyllPro ColorMeter…

Quad Tone RIP

For black & white fine art and exhibition printing we use Roy Harrington’s Quad Tone RIP. This product overrides the Epson print driver and allows us to control…

CMYK Neutrals

Don’t know about you, but I find that CMYK neutrals look too neutral and lack the warmth you find in real print jobs. A proof can’t recreate the…

Large format flatbed scanner

New Large Format Flatbed

We’ve invested in a new, large format, flatbed scanner. The scanner bed is ISO/DIN A2 (18.5″x 25″) with a continuous glass surface which makes it easy for us…


Creation of noise and glitch images for the Autumn/Winter 2019 Collection.

Not just digital

We work with real ink too. Director, Julie Orpen, is an accomplished linocut and wood engraving artist. You can see her work at julieorpen.weebly.com